1. Amplitube 2 For Mac Catalina
2. Amplitube 2 Mac
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5. Amplitube 2 For Mac Os
6. Amplitube 2 For Macbook Pro

By default, choices of preamp, EQ and amp model are linked, but you can mix and match to create hybrid designs.

Amplitube Keygen can work as a 64-bit plugin DAW or can be used in a stand-alone mode in Mac OS X and windows. Ampli Tube 4.9.1 Crack is the latest version of the desktop product. It is a guitar and bass tone studio for Mac or PC that works as a stand-alone application. AmpliTube for iPhone gives you 17 stompbox effects, 8 amplifiers, 10 speaker cabinets and 2 mics, a free Loop Drummer Rock groove pack and a 2-track recorder. You can expand this via a massive library of nearly 150 amps and stompboxes from top brands like Fender™, Ampeg®, Orange®, Mesa/Boogie®, and many more, or unlock the rigs of your. The AmpliTube Custom Shop desktop app is free, and contains 24 pieces of gear to start. When you download and register/authorize the software, you'll get a fully functioning 'standalone' app with a built-in 2-track recorder, plus you get the plug-in version for your favorite DAW. No matter what your computing platform (Mac/Win), you're covered. AmpliTube is also MIDI compatible so IK’s MIDI interfaces (like iRig MIDI 2) let you connect external controllers and associate patches or parameters with just a few taps. High-resolution sound AmpliTube can work as a 64-bit plug-in for the most popular DAW (such as Pro Tools, Logic, GarageBand, Cubase, Live, Reaper) or can be used in stand-alone mode in Mac OS X and Windows.

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IK have given their popular guitar amp emulator a radical makeover, with a huge range of new models and a sound that's more accurate than ever.

I recall being favourably impressed by the original IK Amplitube guitar amp modelling plug-in, and the new version 2 is far more than an update — it's almost a new product, with a fresh interface and new technology under the hood. A new modelling approach (DSM or Dynamic Saturation Modelling) has been developed to more accurately capture the way non-linear systems (such as amps that distort) affect a real-world dynamic signal, and the range of devices being modelled has also been extended. Plug-in formats supported extend to VST, Audio Units and Digidesign's RTAS, at sample rates up to 192kHz, and Amplitube 2 requires Mac OS 10.3 or later or Windows XP.

Amplitube 2 allows you to mix and match preamp sections, EQ sections and power stages to create combinations that aren't available in the hardware world. Once past the rather nice guitar tuner, the signal path comprises four sections: stomp effects, the amplifier itself, the speaker cabinet and mic arrangement to which the cabinet is connected, and any studio rack equipment used for post-processing. A further advance is the ability to use two chains of components at the same time with a choice of series or parallel routing options, making it possible to create layered sounds or expansive stereo spreads. All this is accessed from a surprisingly intuitive user interface. What're more, if you're a little timid when it comes to sound editing, you get a comprehensive library of amps and amp/FX combinations with the program that covers all styles.

An optional hardware floor controller, the Stomp I/O, will soon be available but no additional hardware beyond your existing DAW setup is actually necessary to use the program, other than having an audio interface with a high-impedance instrument input for your guitar or a separate high-impedance DI box. (As ever, if you plug a guitar directly into a line input, the tone will suffer.)

Endless Possibilities

Amplitube 2 provides the user with a choice of 14 preamps, 14 amp EQs and seven power amps, which means a total of 1372 amp permutations before you even begin to tweak the controls, change the speaker cabinets or apply effects. If you count the effects, cabs and mic permutations, the number is astronomical — and you still haven't fiddled with any of the controls! The amp can be hooked up to 16 different speaker cabinets and miked via six different mic models (each with four placement options), though I was sorry to find no ribbon mic emulation as I've grown rather fond of those for guitar miking.

Prior to the amplifier you have a choice of 21 beautifully rendered pedal effects that sit on an equally beautifully rendered wooden floor, and if you need more processing, there are 11 rack-style effects that come at the end of the chain. Over 80 guitar amp and effect emulations are packed into Amplitube 2, with amp models based on the popular Fender, Vox and Marshall brands as well as a few boutique amps — as with most such products, though, there's no link or endorsement between the manufacturers of the amps being modelled and IK Multimedia. The same is true of the stompboxes, where the hardware modelled includes such classics as the Arbiter Fuzz Face, the Ibanez Tube Screamer, the MXR Dynacomp and Phase 100 and the Electro-Harmonix Memory Man delay.

Alternatives

At a lower cost there is the Line 6 Tone Port, which also includes an audio interface and can produce excellent results on a par with the Pod XT. There's also the more straightforward Guitar Amp from Waves, which includes a special guitar DI box, and the incredibly flexible Guitar Rig 2 from Native Instruments, which also has a hardware control option.

Down The Tube

Amplitube II installs from a single DVD-ROM and comes with a USB dongle. This needs to be authorised and registered at the IK Multimedia web site, but if your studio computer is connected to the Internet, the whole procedure is fast and largely automatic. If you use a separate computer it takes a little longer but still is not complicated. The way Amplitube 2 opens up is as a single window, with buttons that switch the middle section of the display between Tuner, Stomp, Amp Cab or Rack section views. In the upper strips are the usual Save and Load buttons, as well as arrow keys for cruising the presets, and of course there's a display showing the patch title. Eight rather small numbered buttons near the centre select from eight preset routing options, with the routing block diagram shown to the right, immediately above the section selection buttons. Bypass and Mute are to the right and do exactly what you'd expect.

A huge range of virtual stompboxes is available.At the bottom of the screen there are two more buttons that allow you to step through the various sections (Tuner, Stomp, Amp and so on) if you don't want to use the more direct buttons at the top of the screen. There's a section to access the plug-in's preferences, which contain oversampling and resolution settings that can be used to trade off quality against the amount of CPU overhead required; other utility sections include an input level control and meter, and a simple noise gate that sits at the front of the signal chain and has only threshold and release time controls. To the right of this is a window showing the value of the currently selected parameter, and there's also a simplified version of the tuner always on display so that you can check your tuning without having to call up the dedicated tuner window. There are also Pan and Level controls for the currently selected module, as well as a master output level control and meter. All the knobs and sliders can be automated from within the host sequencer to the extent that the host sequencer supports automation, with the caveat that if you use the same module twice in one of the signal paths, you can only automate the first one.

In the Amplifier window, there are separate menus for the preamp, EQ and power amp elements, and by default these are all linked so that when you change one, the others change appropriately for your choice of amplifier. However, you can turn off the Match switches to mix and match sections from different amplifiers.

When it comes to cab miking, you can have your choice of virtual mic on or off axis at either near or distant positions. These options are fixed, though, so you can't gradually vary the mic position. There's also a slider for room ambience that adds a nice sense of place and space to the sound. In the rack section, you can use up to four rack effects at the same time, and there's a good choice of modulation, delay/reverb, pitch, EQ, dynamics and enhancer effects from which to choose. Most of the effects are fairly familiar, but the pitch-shifting section includes the ability to create harmonies according to musical key and scale, providing you only feed in single-note lines.

The Driving Experience

Amplitube 2 For Mac Catalina

Using Amplitube 2 proved to be extremely straightforward, and most of what you need to to do can be sussed without ever needing to read the manual. However, it is worth reading through the manual at least once, as it tells you important information such as the significance of using oversampling (or not) in the stomp and amp sections to avoid aliasing artifacts. There's also a lot of useful information about the various modelled amplifers and how their controls work, because as with any rigorously designed modelling software of this kind, the operation of the controls varies to match the device being emulated. I like the way the program is set out just as a stage setup would be — pedals first, then amps and speakers, and finally the rack processors that would be on the mixing console — as this makes the operating environment very familiar. The only slight departure from normality is the flexibility of the two-channel routing, but you don't have to use this if you don't want to.

There's a choice of speakers and mic positions, though the mic distance is not continuously variable.As I so often find with programs of this kind, the factory patches are great for showing off the range of sounds that can be coaxed from the plug-in, but relatively few are things you'd normally use yourself, so you do have to take the time to set up your own patches. Furthermore, as any guitarist knows, even great amps can sound bad — it all comes down to finding the sweet spot on the amp that suits the instrument being used with it. I have several Strats and they all sound different, so when I change guitars, I also need to readjust the amp. It's the same with a program like Amplitube — time spent fine-tuning the amp settings to match the guitar really pays off.

On the whole I found the amp sounds nicely responsive and satisfying to play, though I know there will always be contention, especially when it comes to emulating those really sweet, low-powered tube amps played just on the edge. Even so, I got some very nice quasi-country sounds by using the Brit Class A TB emulation with a compressor stompbox patched in front of it. The sounds sit well in a mix and the more overdriven sounds give off a nice sense of energy. Some of the preset names allude to well-known artists or tracks, and though I'd probably fine-tune them some more, they get pretty close providing you play in the same style.

I tried to recreate some of my personal favourite guitar sounds and was surprised not only by how close (and how quickly) I could get them, but also by the general playablity of the end result. These sounds record beautifully and sit well in a mix with no need for additional processing and the only slight cause for disappointment on my behalf was the lack of a tape-echo emulation. You get conventional analogue delays and digital delays, both of which sound great, but although there is a degree of tonal control on the digital echo which can get close to the sound of tape, it doesn't have that gentle wow and flutter.

Having played with Amplitube 2, I can see why IK Multimedia thought it would be a good idea to offer an optional floor controller so that guitarists could take it out live. Indeed, I'm almost tempted to try that myself. This being the case, it seems odd that there is no stand-alone mode — Amplitube 2 always needs to run as a plug-in within a host program, and if you want a stand-alone amp simulator you'll need IK's Amplitube Live, which has yet to be updated to version 2.

Currently there are several software plug-ins that purport to model that elusive guitar amp sound, and I think Amplitube 2 gets as close as any, striking a good balance between ease of use and flexibility. It's not the cheapest option around, but in my view it is well worth the asking price, and should meet the recording needs of most pop and rock players.

Pros

• Good playable emulations.
• Good variety of amplifiers and effects.
• Easy to use.
• Supports most plug-in formats.

Amplitube 2 Mac

Summary

Amplitube 2 is a very flexible and friendly guitar amp and effect modelling package capable of giving some great results. As with real hardware, though, you have to be prepared to fine-tune the sounds to get the best out of it.

information

£269; upgrade from version 1 or Amplitube Live/SE £159. Prices include VAT.

IK Multimedia UK +44 (0)1223 234414.

+44 (0)7005 968006.

AmpliTube 4 is a tone studio designed for guitar and bass functions as a standalone application and also as a plug-in for your DAW. It recreates your complete signal chain in a wonderfully intuitive and realistic way from an instrument to a recorder. AmpliTube includes tons of exciting new amp effects, models and features such as the Cab Room, which provides you with a new level of customization and flexibility.

AmpliTube Crack leads the way in, either you are new to using a computer or already PC tone master you are in a hyper-realism world with distinctive tools.

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Let’s take a quick view of its versatile features!

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AmpliTube 4 Crack is a virtual amp that crafts your guitar tone and gives you unbelievable realistic playing experience. Additionally, you can also adjust your virtual mics to perfect sound and can add room sound as well and adjust your virtual mics to dial in your absolute sound.

Realistic Cab Room

AmpliTube’s new Cab Room feature gives you a high level of flexibility and customization. It consists of five customization sections:

• Cabinet selection and size adjustment: your speaker cab can be matched with your amplifier.
• Individual speaker selection: Individual speakers can be swapped out over here.
• Mic selection and placement: helpful in finding out the sweet spot
• Room selection: Allows you to select the recording environment
• Mixer section: You can mix the levels of close mics, direct amp signal, room ambiance, and overall main mix.

Standalone mode

In standalone mode, DAW makes a recording of your musical ideas quite easily. It also features sequencer waveform editing, robust, sequencer-like waveform editing, and a full recording solution.

AmpliTube Distinct Features:

It contains four stomp pedals across the top and an amplifier beneath. Having Drop-down dialogues for each slot that allows you to choose different pedals, drag and drop each and rearrange the order. A small tab on the right accesses your four post-FX pedal slots.

Why We use Amplitube:

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• AmpliTube contains four effects pedal that is versatile and gives you most out of these, as many novice players believe that more pedals and more effects create elusive sound.
• Its virtual amps work as a real amp and create real music. AmpliTube gives a big difference by only small adjustment of a small tweak of tunes, volume control, and the reverb levels.

Amplitube Keygen looks awesome so you get ready to have your mind and ears blown. It is a world’s most powerful guitar and bass tone studio and will take you to a level of customization and hyper-realism of your tone you never expected to be possible.

Anyway, give it a try and use it, that’s a good thing and you’ll be productive, right from the get-go. Each of its track features as standard treble, bass EQ, midrange, pan control, mute, level, solo, record enable and an FX enable button will bring you to the world of ease.

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